front cover of Vespers
Vespers
Contemporary American Poems of Religion and Spirituality
Virgil Suarez
University of Iowa Press, 2003

At the heart of human existence lie fundamental questions that are pondered by philosophers, theologians, poets and thoughtful people from all walks of life. What is the meaning of life? Who or what is a divine being? How can a benevolent deity justify human suffering? Such questions are especially relevant to our lives in the current climate of American society. In Vespers: American Poems of Religion and Spirituality, editors Virgil Suárez and Ryan G. Van Cleave offer the reading world a timely anthology of powerful and passionate poems that cut to the heart of our contemporary theological and spiritual underpinnings.

Featuring fifty of today's most respected American poets, including Pulitzer Prize winners Stephen Dunn and Carolyn Kizer, Vespers allows us to witness and understand the challenging ideas and philosophies surrounding religion and spirituality. Through these poems, we can come to a better understanding of who, what, and why we are.

From deathbed spirituals to initiation songs, transformative ballads to transcendent sonnets, poets of myriad backgrounds—Native American, African American, Asian American, Latino, Protestant, Buddhist, Catholic, Jewish—echo the thoughts, concerns, and fears that linger in our souls. Their poems help us realize that we are not alone, that we're never truly alone, that even in the face of darkness the world is vibrant, beautiful, joyous.

More than a creative exploration of theological concerns—Vespers is a roadmap of where we've been, where we are, and where we are heading in terms of our spiritual and religious existence. It will keep you company, good company, whatever your religious or spiritual background.

[more]

front cover of Victory Gardens Theater Presents
Victory Gardens Theater Presents
Seven New Plays from the Playwrights Ensemble
Sandy Shinner
Northwestern University Press, 2006
In 2001, Victory Gardens Theater received the Tony Award for Regional Theatre and was hailed by the Wall Street Journal as "one of the country's most important playwrights' theaters." This recognition helped the theater take its rightful place alongside Chicago's world-class local theaters. Nearly 250 plays have been produced at Victory Gardens since it was founded in 1974. More than half of these plays have been world premieres, many of which have gone on to national success. This theater's commitment to producing primarily new plays, most by Chicago authors, makes it a unique and exciting institution.

This collection features seven plays by talented authors from the twelve-member Playwrights Ensemble at Victory Gardens. Their works tackle a wide range of topics from a colorful and imaginative retelling of the Medea legend set in the Carribbean to the desperation and regret that can fill a high-school reunion, from a feisty stroke-survivor claiming her independence to a historical drama about the first free man of color to attend Ohio University. Whether focusing on the drama between the four walls of a home or testing the broader realms of culture, history, and politics, the Victory Gardens Theater has always encouraged diverse perspectives and supported original work. Victory Gardens Theater Presents showcases some of the best examples of the distinctive talent that continues to find a home there.
[more]

front cover of Visiting Dr. Williams
Visiting Dr. Williams
Poems Inspired by the Life and Work of William Carlos Williams
Sheila Coghill
University of Iowa Press, 2011
Loved for his decidedly American voice, for his painterly rendering of modern urban settings, and for his ability to re-imagine a living language shaped by the philosophy of “no ideas but in things,” William Carlos Williams (1883-1963) left an indelible mark on modern poetry. As each successive generation of poets discovers the “new” that lives within his work, his durability and expansiveness make him an influential poet for the twenty-first century as well. The one hundred and two poems by one hundred and two poets collected in Visiting Dr. Williams demonstrate the range of his influence in ways that permanently echo and amplify the transcendent music of his language.
 
Contributors include: Robert Creeley, David Wojahn, Maxine Kumin, James Laughlin, A. R. Ammons, Wendell Berry, Heid Erdrich, Frank O’Hara, Lyn Lifshin, Denise Levertov, Wallace Stevens, John Ashbery, Allen Ginsberg, and a host of others.

 

 
[more]

front cover of Visiting Frost
Visiting Frost
Poems Inspired by the Life and Work of Robert Frost
Sheila Coghill
University of Iowa Press, 2005
Like Emily Dickinson and Walt Whitman, Robert Frost looms large in the American literary landscape, straddling the 19th and 20th centuries like a poetic colossus: whosoever desires passage must, at some point, contend with the monolithic presence of Robert Frost. As they did in Visiting Emily and Visiting Walt, in Visiting Frost, Sheila Coghill and Thom Tammaro once again capture the conversations between contemporary poets and a legend whose voice endures. In his introduction to the collection, Frost biographer Jay Parini likens the poet to a “great power station, one who stands off by himself in the big woods, continuously generating electricity that future poets can tap into for the price of a volume of his poems.” A four-time Pulitzer Prize winner whose work is principally associated with the landscape and life in New England, Frost (1874-1963) was a traditional, psychologically complex, often dark and intense poet. In Visiting Frost, one hundred homage-paying poets--some who knew Frost, most only acquainted through his work--celebrate and reflect that intensity, in effect tapping into his electrical current. By reacting to specific Frost poems, by reinventing others, and by remembering aspects of Frost or by quarreling with him, the contributors speak on behalf of us whose lives have been brightened by the memorization and recitation of such poems as “The Road Not Taken” or “Stopping by Woods on a Snowy Evening.” As the poets pay tribute to Frost's place in American poetry and history, they suggest--more than forty years after his death--just how alive and vital he remains in our collective memory.
[more]

front cover of Visiting Wallace
Visiting Wallace
Poems Inspired by the Life and Work of Wallace Stevens
Dennis Barone
University of Iowa Press, 2009
The poetry of Wallace Stevens has inspired generations of poets of every school. Here, for the first time, is assembled an astonishing variety of poems, by a full range of poets, inspired by Stevens’s life and work. In its own way, each poem exhibits the torque and feel of his poetry, yet each also is deeply personal and conveys how meaningful Stevens was and remains for poets and poetry.

Whether whimsical or serious, solemn or light, the poems in Dennis Barone and James Finnegan’s Visiting Wallace are sure to inspire delight and thought. Alan Filreis’s brilliant foreword asks us to consider whether there is another modern poet who means as much to contemporary verse as Stevens: “seventy-six poems giving us seventy-six distinct Stevenses to follow and succeed.”
[more]

front cover of Visiting Walt
Visiting Walt
Poems Inspired by the Life and Work of Walt Whitman
Sheila Coghill
University of Iowa Press, 2003

front cover of Voices of Change in the Spanish American Theater
Voices of Change in the Spanish American Theater
An Anthology
Edited and translated by William I. Oliver
University of Texas Press, 1971

The aim of this anthology is to present a selection of plays that are representative of a fresh spirit and of societal pressures and changes in Spanish American culture. The plays shun the earlier realistic, sentimental, and melodramatic conventions of Spanish American theater. Instead, they reflect the tenor of the dramatic imagination of the mid-to-late twentieth century—an imagination that sought new forms and ways of expressing a new awareness of the Spanish American dilemma.

In selecting these plays, William I. Oliver looked for more than mere illustrations of these changes. As a practicing director and playwright, he sought works that are effective on the stage as well as on the page. As an editor and translator, he sought works “that could be translated culturally as well as linguistically.” The six plays in this varied and vigorous anthology are the measure of his success.

The plays included are The Day They Let the Lions Loose, by Emilio Carballido (Mexico); The Camp, by Griselda Gambaro (Argentina); The Library, by Carlos Maggi (Uruguay); In the Right Hand of God the Father, by Enrique Buenaventura (Colombia); The Mulatto’s Orgy, by Luisa Josefina Hernández (Mexico); and Viña: Three Beach Plays, by Sergio Vodánovic (Chile).

[more]

front cover of Voices of the Diaspora
Voices of the Diaspora
Jewish Women Writing in Contemporary Europe
Thomas Nolden
Northwestern University Press, 2005
Voices of the Diaspora offers, for the first time, representative works by major Jewish women writers from Austria, England, France, Germany, Italy, the Netherlands, Spain, and Russia. These stories and essays, written over the last twenty-five years, speak to the challenges confronting the post-Shoah generations of Jews living in Europe: a need to commemorate the lives extinguished in the camps; a desire to repair a ruptured culture; and a determination to reclaim a Jewish identity resistant to assimilation and the threats of anti-Semitism.

At the same time, these writers address themes specific to their national contexts. Berlin-born Barbara Honigmann questions the possibility of Jewish life in the country responsible for the "final solution." Maghreb-born Marlène Amar and Reina Roffé address the experiences of displacement and emancipation as Sephardic women in Western, post-colonial societies. Clara Sereni describes how Jews in post-Fascist Italy reemerged with a self-assertiveness that troubled a society that had found comfort in amnesia. Ludmila Ulitskaya portrays a Jewish girlhood on the eve of Stalin's death empowered by the religious traditions of Jewish resistance.

From the unique perspective of women's literary voices, this volume reveals to English-speaking readers the extraordinary vivacity and diversity of European Jewry, and introduces them to a new generation of women writers.
[more]


Send via email Share on Facebook Share on Twitter